计量电影学视角下的抗疫主旋律电影研究: 以《中国医生》和《惊心动魄》为例

Research on the Main Theme Movie with Anti-epidemic Content from the Perspective of Cinemetrics: Taking Chinese Doctors and Profoundly Affecting as Examples

摘要:

本文结合质性分析与量化研究,对影片镜头时长、镜头个数、转场方式和镜头频率等进行计量电影学分析,研究《中国医生》 和《惊心动魄》两部不同时期的抗疫主旋律电影在叙事方式、现实主义创作倾向、主旋律特色等方面的相似和不同,以期为公共灾难性题材电影的主旋律呈现范式提供可借鉴的路径。研究表明,抗疫主旋律电影的叙事节奏较快,叙事结构多元,在疫情表现和人物表现及医疗专业性表现上呈现出专业化、科学化、现实主义的创作倾向,而传递主流意识形态和构建国家形象是其主要目的。

Abstract:

Combining qualitative analysis and quantitative research, this paper studied the similarities and differences in narrative methods, realist creation tend encies, and main theme characteristics of the two anti-epidemic films of different periods, profoundly affecting and Chinese doctors, through quantitative cinematic analysis of the length of shots, the number of shots, transition methods and shot frequency. The purpose was to propose a path for reference for the main theme presentation paradigm of public catastrophic films. The anti-epidemic theme film had a fast narrative rhythm and diversified narrative structure. It showed a pro fessional, scientific and realistic creative tendency in the expression of the epi demic situation, characters and medical professionalism. The main purpose of the anti-epidemic theme film was to convey the mainstream ideology and build the national image.